Publications

RECENT

Andersen, C. U. “Techniques of the face – on video conferencing art and politics.” Electronic Literature Organization, 2022.
Andersen, C. U., & Pold, S. “Protest and Aesthetics in The Metainterface Spectacle.” ISEA – International Symposium on Electronic Arts 2022.
Andersen, C.U. & Pold, S. B. (2022). “Aesthetic Computational Criticism – How to critically and technically engage with the Climate Crisis.” In Miguel Carvalhais, André Rangel, Luísa Ribas, Mario Verdicchio (eds.). The Book of X. i2ADS: Research Institute in Art, Design and Society. DOI: 10.24840/978-989-9049-26-0

FULL LIST

Books

Andersen, C. U. & Pold, S., & (2018). The Metainterface: The Art of Platforms, Cities and Clouds. Cambridge, Massachusetts. London, England: MIT Press. 240 pages. (https://mitpress.mit.edu/books/metainterface)
(The Royal Library’s online version – from DK)
Andersen, C. U. & Pold, S. (eds.) (2011). Interface Criticism: Aesthetics Beyond Buttons. Aarhus University Press. 296 pages.(https://en.unipress.dk/udgivelser/i/interface-criticism/)
Andersen, C. U. (2009). [The Aesthetic Interface – The Computer Game In An Interface Culture And The Interface In The Computer Game”] Det æstetiske interface: Computerspillet i en interfacekultur og interfacet i computerspillet, Digital Aesthetics Research Centre, 249 pages.

Book chapters

Andersen, C.U. & Pold, S. B. (2022). “Aesthetic Computational Criticism – How to critically and technically engage with the Climate Crisis.” In Miguel Carvalhais, André Rangel, Luísa Ribas, Mario Verdicchio (eds.). The Book of X. i2ADS: Research Institute in Art, Design and Society. DOI: 10.24840/978-989-9049-26-0
Andersen, C. U. & Pold, S. B. (2020). ”Metainterfacets æstetik og kulturindustri.” In J. Lund & U. Schmidt (eds). Medieæstetik. Forlaget samfundslitteratur.
Andersen, C.U. & Pold, S. B. (2021). ”Interface”. In N. B. Thylstrup, D. Agostinho, A. Ring, C. D’Ignazio & Kristin Veel (eds.). Uncertain Archives. The MIT Press.
Andersen, C. U. & Pold, S. B. (2015). ”How to Experience and Relate to Climate Change: The Role of Digital Climate Art.” In C. S. Paldam, & J. Wamberg (eds.), Art, Technology and Nature: Renaissance to Postmodernity (pp. 163-172). Ashgate.
Andersen, C. U. & Pold, S. B. (2015). ”Manifest for kunstmuseet i en digital tidsalder.” In A. H. Larsen, R. Gade, & A. W. Hansen (eds.), Cybermuseologi: Kunst, formidling og museer i et digitalt perspektiv (s. 27-46). Aarhus: Aarhus University Press.
Andersen, C. U., & Pold, S. B. (2015). ”Aesthetics of the Banal: ‘New Aesthetics’ in an Era of Diverted Digital Revolutions.” In D. M. Berry, & M. Dieter (eds.), Postdigital Aesthetics: Art, Computation And Design (pp. 271-288). Palgrave Macmillan. https://doi.org/10.1057/9781137437204 (Google books)
Andersen, C. U. (2014). “Monopoly and The Logic of Sensation in Spacewar!” In O. Goriunova (ed.), Fun and Software. Exploring pleasure, paradox and pain in computing. Bloomsbury Academic. DOI: 10.5040/9781501300240.ch-009 /
Andersen, C. U. & Pold, S. B. (2014). ”Controlled Consumption Culture: When Digital Culture Becomes Software Business”. In P. D. Miller, & S. Matviviyenko (eds), The Imaginary App (pp. 17-33). The MIT Press. (Google books)
Andersen, C. U., & Pold, S. B. (2013). ”The Lost Illusions of an Amazonian Forkbomb: What Lies Beyond The Print Capitalism of The Gutenberg Galaxy?” In G. Cox, & T. Bazzichelli (red.), Disrupting Business: Art and Activism in Times of Financial Crisis (s. 125-141). Brooklyn: Autonomedia. DATA browser, Nr. 05. http://data-browser.net/db05.html
Andersen, C. U., & Pold, S. B. (2013). ”Kan apps være kritiske? Mediekunstnerisk innovation i en kontrolleret forbrugskultur.” In K. Schiølin, & S. Riis (eds.), Nye spørgsmål om teknikken (p. 251-268). Aarhus: Aarhus University Press.
Andersen, C. U., & Pold, S. B. (2012). ”Softwarebyens udfordring.” In M. Brynskov, K. Halskov, & L. Kabel (eds.), Byens digitale liv (pp. 26-33). Aarhus: Ajour.
Andersen, C. U. (2011). ”Ludic Alternatives.” In P. Krajewski & V. Kutlubasis-Krajewska (eds.), Alternative Now Reader (pp. 25-30). The WRO Art Center.
Andersen, C. U. (2011). “Writerly Gaming, Political Gaming.” In C. U. Andersen & S. Pold, (eds.), Interface Criticism: Aesthetics Beyond Buttons. Aarhus: Aarhus University Press.
Andersen, C. U. & Pold, s. B. (2011). “Interface Criticism – Aesthetics Beyond Buttons [introduction]” In C. U. Andersen & S. Pold, (eds.), Interface Criticism: Aesthetics Beyond Buttons. Aarhus: Aarhus University Press.
Andersen, C. U. (2009). ”Det semantiske interface.” In J. Lund, & M. Thygesen (eds.), Kunstværk og udsigelse (p. 109-128). Aarhus Universitet.
Andersen, C. U. (2007). ”Computeren som våben, værktøj og legetøj: SAGE, NLS, Spacewar og 60’ernes digitale kultur.” In S. Pold, & L. K. Hansen (eds.), Interface: Digital kunst & kultur (pp. 43-80). Aarhus: Aarhus University Press.
Andersen, C. U. (2005). ”Mellem illusion og virkelighed – Metal Gear Solid 2 som særegen æstetisk form.” In C. Jessen & B. K. Walther (eds.), Spillets verden (pp. 11-28). København: Danmarks Pædagogiske Universitetsforlag.
Andersen, C. U. (2004). “Software Art and Cultures – People Doing Strange Things With Software.” In O. Goriunova & A. Shulkin (eds.), Read_me Software Art and Cultures (pp. 11-15). Aarhus: Digital Aesthetics Research Centre/Aarhus University Press.

Journal articles

Andersen, C. U. & Pold, S. B. (2021). “The Metainterface Spectacle.” Electronic Book Review, 2021 (November). https://doi.org/10.7273/a7kb-r270
Andersen C.U. & Pold, S. B. (2021). “The User as a Character, Narratives of Datafied Platforms.” Computational Culture 8 (July 2021). http://computationalculture.net/the-user-as-a-character-narratives-of-datafied-platforms/
Andersen, C. U. & Cox, G. (2021). ”How To Refuse Research from The Ruins of Its Own Production.” Editorial, A Peer-Reviewed Journal About 10(1). 4-13.
Andersen, C. U. & Cox, G. (2020). “Before and After The Network” Editorial, A Peer-Reviewed Journal About 8(1), 4-7.
Andersen, C. U. & Cox, G. (2019). ”Feeling, Failure, Fallacies.” Editorial, A Peer-Reviewed Journal About 8(1), 4-10.
Andersen, C. U. (2018). “UTOPIA and the Metainterface.” Stages (Design & Empire), 2018(7). <https://www.biennial.com/journal/issue-7/utopia-and-the-metainterface>
Andersen, C. U., Nesheim, E., Swanstrom, E., Rettberg, S., & Pold, S. (2018). “Always Inside, Always Enfolded into the Metainterface: A Roundtable Discussion.” Electronic Book Review, 2018 (December). <http://electronicbookreview.com/essay/always-inside-always-enfolded-into-the-metainterface-a-roundtable-discussion/>
Andersen, C. U., & Pold, S. (2018). “The Metainterface of the Clouds.” Electronic Book Review, 2018 (October). <https://electronicbookreview.com/essay/the-metainterface-of-the-clouds/>
Andersen, C. U. & Pold, S. (2018). ”Interface Mythologies: Xanadu Unraveled.” Interface Critique, 1(1), 12-20. DOI: 10.11588/ic.2018.0.44738
Andersen, C. U. & Cox, G. (2018). “Most and Least of Research Value/s.” Editorial. A Peer-Reviewed Journal About, 7(1). 4-7. DOI: https://doi.org/10.7146/aprja.v7i1.115055
Andersen, C. U. & Cox, G. (2017). “Machine Research.” Editorial. A Peer-Reviewed Journal About, 6(1). 4-6. DOI. https://doi.org/10.7146/aprja.v6i1.116006
Andersen, C. U. & Cox, G. (2016). “Excessive Research.” Editorial. A Peer-Reviewed Journal About, 5(1). 4-7. DOI. https://doi.org/10.7146/aprja.v5i1.116035
Andersen, C. U. & Cox, G. (2015). “Datafied Research.” Editorial. A Peer-Reviewed Journal About, 4(1). DOI. https://doi.org/10.7146/aprja.v4i1.116100
Andersen, C. U., Cox, G. & Papadopoulos, G. (2014). “Post-Digital Research.” Editorial. A Peer-Reviewed Journal About, 3(1). DOI. https://doi.org/10.7146/aprja.v3i1.116067
Andersen, C. U., & Riis, M. S. (2014). ”A Dialogue on Cassette Tapes and their Memories.” A Peer-Reviewed Journal About, 3(1). DOI. https://doi.org/10.7146/aprja.v3i1.116095
Andersen, C. U. & Pold, S. B. (2014, jan 10). “Manifesto for a Post-Digital Interface Criticism: Six aspects of the interface that are important to address to critically reflect contemporary digital culture.” In The Operative Image, The New Everyday – MediaCommons Project. http://mediacommons.org/tne/pieces/manifesto-post-digital-interface-criticism
Andersen, C. U. & Pold, S. B. (2014). ”Post-digital Books and Disruptive Literary Machines: Digital Literature Beyond the Gutenberg and Google Galaxies.” Formules/Revue Des Creations Formelles, 2014(18), 164-183.
Andersen, C. U., Bazzichelli , T., Beverungen, A, Cox, G., Gansing, K. (2013). “#BWPWAP: how can we save research from itself?” Editorial. A Peer-Reviewed Newspaper, 2(1). 2-2. DOI. https://doi.org/10.7146/aprja.v2i1.121120
Andersen, C. U., & Pold, S. B. (2013). “The Marketization of Net Art. “A Peer-Reviewed Newspaper, 2(1), 6-7.
Andersen, C. U., Bazzichelli , T., Cox, G., Gansing, K. (2012). “In/Compatible Research – Introduction” Editorial. A Peer-Reviewed Newspaper, 1(2). 2-2.
Andersen, C. U., & Pold, S. B. (2012). “Controlled consumption interfaces.” A Peer-Reviewed Newspaper, 1(2), 24-24.
Andersen, C. U., & Pold, S. B. (2012). ”Competing Compatibilities.” A Peer-Reviewed Newspaper, 1(2), 4-4.
Andersen, C. U., Cox, G. & Lund, J. (2011). “Public Interfaces – Introduction.” Editorial. Public Interfaces, 1(1). 2-2.
Andersen, C. U., & Pold, S. B. (2011). ”Digital Art and Culture After Industry?” Public Interfaces 1(1), 19-19.
Andersen, C. U., & Pold, S. B. (2011). ”The Patterns of Software Cities.” Public Interfaces 1(1), 2-3
Andersen, C. U. & Pold S. B. (2011). ”The Scripted Spaces of Urban Ubiquitous Computing: The experience, poetics, and politics of public scripted space.” The Fibreculture Journal, 2011(19), 110-125.
Andersen, C. U. (2007). Kode-performance og kode-æstetisering: Live coding som softwarekritik. Passepartout, (27), 10-23.
Andersen, C. U. (2003). ”Fra Windows til sanserum: Om grundlaget for en æstetisk dimension af digitale rum.” Passage, (48), 55-67.
Andersen, C. U. (1998). “Célines kærlighed til Proust: om antisemitisme, talesprog, “Rejse til nattens ende” og “På sporet af den tabte tid.”” K og K, 26(1), 79-96.

Conference proceedings

Andersen, C. U. “Techniques of the face – on video conferencing art and politics.” Electronic Literature Organization, 2022.
Andersen, C. U., & Pold, S. “Protest and Aesthetics in The Metainterface Spectacle.” ISEA – International Symposium on Electronic Arts 2022.
Andersen, C. U., & Pold, S. (2016). ”In a New Situation, We Need a New Situationism: Manifesto for a smart city.” In T. M. Figuerola , & J. L. Marzo (eds.), Interface Politics: 1st International Conference 2016 (pp. 249-257). Barcelona: Gredits. Publicaciones Gredits, No.. 4. http://www.gredits.org/wp-content/uploads/2016/11/Publicacions_Gredits_04_V2_web.pdf
Andersen, C. U. (2015). ”The Urban Myths of Open Data.” In D. Charitos & M. Meimaris (eds.) Proceedings to Hybrid City 3^rd International Conference, Athens, Greece. https://www.academia.edu/13795948/The_Urban_Myths_of_Open_Data / https://www.academia.edu/78755401/The_urban_myths_of_open_data
Pold, S., Bertelsen, O. W., Koefoed Hansen, L., Andersen, C. U., Bardzell, S., & Bardzell, J. (2015). Criticism – for Computational Alternatives. In O. Bertelsen, & K. Halskov (eds.), Critical Alternatives, 5th decennial Aarhus Conference: conference proceedings, conference papers Department of Computer Science, Aarhus University. Aarhus Series on Human Centered Computing, 1(1), https://doi.org/10.7146/aahcc.v1i1.21621
C. U. Andersen & S. Pold, 2012. “Post-digital Books and Disruptive Literary Machines: What is Digital Literature Beyond the Gutenberg and Google Galaxies – When the Digital Revolution Has Been Cancelled?” Chercher le texte, Electronic Literature Organisation, Paris.
C. U. Andersen & S. Pold, 2012. ”Occupation of the Open City,” ACM MAB’12, 4th Media Architecture Biennale Conference, Aarhus, pp. 1-4. doi>10.1145/2421076.2421077
C. U. Andersen & S. Pold, 2011, “Is There a Conceptual Gap Between Art and Business?” ISEA 2011, Istanbul. http://www.isea-archives.org/docs/2011/proceedings/ISEA2011_Full_Proceedings.pdf
C. U. Andersen & S. Pold, 2011, “The Kind of Problem a Software City is” ISEA 2011, Istanbul. http://www.isea-archives.org/docs/2011/proceedings/ISEA2011_Full_Proceedings.pdf
Andersen, C. U. & Pold, S. (2010). ”Participatory Pyramids: An Interface for Climate Change?” In ISEA2010 Ruhr: Conference Proceedings (pp. 165-167). Revolver Publishing.
Andersen, C.U. (2009) “Vampires: Network Games Challenging the Game.” AoIR 09, Copenhagen (manuscript)
Andersen, C.U. (2009). “Reklamespillets genrer, retorik og netværk.” (arbejdspapir).

Edited Journals

Andersen, C. U., & Cox, G. (2020). A Peer-Reviewed Journal About Research Networks, 9(1)
Andersen, C. U., Cox, G. et al. (2020). Research Networks: A Peer-Reviewed Newspaper, 9(1)
Andersen, C. U., & Cox, G. (2019). A Peer-Reviewed Journal About Machine Feeling, 8(1)
Andersen, C. U., Cox, G. et al. (2019). Machine Feeling: A Peer-Reviewed Newspaper, 8(1)
Andersen, C. U., & Cox, G. (2018). A Peer-Reviewed Journal About Research Values, 7(1)
Andersen, C. U., Cox, G. et al. (2018). Research Values: A Peer-Reviewed Newspaper, 7(1)
Andersen, C. U., & Cox, G. (2017). A Peer-Reviewed Journal About Machine Research, 6(1)
Andersen, C. U., Cox, G. et al. (2017). Machine Research: A Peer-Reviewed Newspaper, 6(1)
Andersen, C. U., & Cox, G. (2016). A Peer-Reviewed Journal About Excessive Research, 5(1)
Andersen, C. U., Cox, G. et al. (2016). Excessive Research: A Peer-Reviewed Newspaper, 5(1)
Andersen, C. U., & Cox, G. (2015). A Peer-Reviewed Journal About Datafied Research, 4(1).
Andersen, C. U., Cox, G. et al. (2015). Datafied Research: A Peer-Reviewed Newspaper, 4(1).
Andersen, C. U., Cox, G., Papadopoulos G. (2014). A Peer-Reviewed Journal About Post-Digital Research, 3(1).
Andersen, C. U., Cox, G., Papadopoulos, G. (2014). Post-Digital Research: A Peer-Reviewed Newspaper, 3(1).
Andersen, C. U., & Cox, G. (2013). A Peer-Reviewed Journal About #BWPWAP, 2(1).
Andersen, C. U., Cox, G., Bazzichelli, T., Beverungen, A. & Gansing, K. (2013). #BWPWAP: A Peer-Reviewed Newspaper, 2(1).
Andersen, C. U., & Cox, G. (2012). A Peer-Reviewed Journal About In/Compatible Research, 1(2).
Andersen, C. U., Bazzichelli , T., , Cox, G., Gansing, K. (2012). In/Compatible Research: A Peer-Reviewed Newspaper, 1(2).
Andersen, C. U., Cox, G. & Lund. J. (2011). Public Interfaces, 1(1).

Other publications

Andersen, C. U., Bechmann, A., Brügger, N., Brynskov, M., Holst, M. K., Markham, A., & Thomsen, M. R., (2016). A Digital Strategy for Arts: Digital Arts’ White Paper on AU’s Digital Strategy 2016, Aug. 31, 2016.
Pold, S. B., & Andersen, C. U. (2013, jan 29). The Printing Press of Ebooks: Where to Shelve the Gutenberg Galaxy in the Amazon Cloud?. Arnolfini Gallery. http://project.arnolfini.org.uk/the-project-formerly-known-as-kindle-forkbomb
Andersen, C. U., & Rohde, A. L. (2012). Et brand skal kunne spilles. Markedsfoering, (6), 48-48.
Andersen, C. U. (2009). “Annoying Japanese Child Dinosaur: Avatars’ portraits and synthetic performances by Eva and Franco Mattes aka 0100101110101101.org.” In Enter Action – digital art now: Aros, Catalogue in English & Danish (pp. 100-101). Aarhus: ARoS.
Andersen, C. U., (trans.), Shulgin, A., & Goriunova, O. (2006). ”Pengenes, magtens og berømmelsens censur.” In KP 60: kunsten og censuren (pp. 55-63). Århus: Kunstnernes Påskeudstilling.
Andersen, C. U. (2006). ”Der er nok at tage fat på for computerspilsforskerne.” it-vest NYT, (24).
Andersen, C. U. (2006). ”Serious Games.” Digital Experience: http://www.digitalexperience.dk/?author=5
Andersen, C. U. (2006). ”Er computerspil andet end spild af tid?” Humaniora, (1), 20-23.
Andersen, C. U. (2004). Computerspiluddannelser i England. Report for IT Vest.